"The dancers body is simply the luminous manifestation of their soul. This is the truly creative dancer, natural but not imitative, speaking in movement out of self and out of something greater than all selves"

Isadora Duncan


Tango Pink Papers 2
A series of short studies and observations on teaching tango. READ MORE PINK PAPERS

The roller coaster ride of tango emotions

I wonder how many of you reading this have experienced the roller-coaster ride of tango emotions? I can go from a euphoric high to the pit of a low in the space of a few dances. Recently I wrote a note to myself alongside shopping lists and other aides memoires, "learn to cope with tango emotions"!

I know I am not alone in this phenomenen as I often hear feedback from dancers during lessons. I have noticed in particular a stage in a followers development when they are especially vulnerable to (unfair) criticism from their dance partners. I believe that there is a point in a follower's development when they are able to relax and focus on the smallest and most subtle of leads, but are unable to distinguish a good lead from a bodyblip (a movement that seems to be a lead but was caused by being off-axis or poor style by their leader). A follower in this stage of development will accept a bodyblip as a lead and respond to it leaving the leader wondering what happened or at worst, reprimanding their follower for their 'mistake'.

I had the privilege of teaching a private lesson to a wonderful dancer in Barcelona at the Tangoneta Festival. I have known this dancer for over a year and know how well she can dance, and yet she came to the lesson full of frustration having lost all her confidence.

To cut a long story short, we had a beautiful dance, full of expression and sharing, and I said quite honestly that I would be happy dancing the whole evening with her. I spent the rest of the lesson on sharing simple observations and giving her the space to regain her confidence and presence on the dance floor.

But there is more. Unbeknown to her, I too had started the lesson thinking 'what the hell am I doing here' and 'I really am going to have to get back to a proper job' because I had lost my way along this path less trod. During the lesson, something beautiful happened to both of us - I realised that empowering people to express themselves creatively in dance makes me happy and fulfilled, and she found that her own beauty and elegance was not lost, just misplaced.

The argentinians have a saying: "Si ja estamos en el baile, asi que bailemos!" which roughly translated means "we are on the dance floor, so lets dance!"

This article is declared open source and free from copyright by its author Steve Morrall, 2005. Please attribute extracts to to the author using this webpage as the source. If you have an experience of tango as a dance, social interaction, confrontation, reconciliation, or enlightenment that you would like to share, please email Steve at the address shown below. Thanks

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